Two Styles of Animation

I made quite an effort to explain the difference between Japanese and American animation in my english class essay. Maybe it’s worth blogging it.

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There are two popular styles of animation in the world, American style (Hollywood style) and Japanese style. I’ve watched a lot of American animation, and many of them made me love them, such as "Toy Story", "Monsters Inc" and "The Lion King 3: Hakuna Matata". And Japanese animation is a part of my daily life. I’m catching three Japanese TV-series animations, "Death Note", "D-Grey Man" and "Yamanade", every week. Although the two styles are both popular, they are very different in many places. We will study the differences by first comparing Japanese animation with American adult movies and then contrasting American and Japanese animations to show that the most significant difference is whom the animations are oriented to, kids or adults.

We can find the difference by comparing the subjects of Japanese and American animation. Japanese animation is oriented to adults. This make Japanese animation try to show audience an actual world. So Japanese animation, which is almost same as American movie, has a wide range of subjects. The range is wider than American animation’s subjects’. There is also a part of Japanese animation’s subjects are oriented to kids. But most of them are not only for kids, and some of them are not for kids, just same as American movie’s. For instance, there is a category of stories, which are called love comedy, such as "Honey and Clover" (Japanese animation) and "When Harry meet Sally" (American movie). I think this category of stories is not oriented to kids. And there are a lot of crime and detective stories in Japanese animation ("Death Note", "Perfect Blue"), just like American movie. And some of them have too many crime scenes to be suit for kids (Brad Pitt’s "Se7en"). There are also a lot of hard-science-fiction style stories in Japanese animation ("Ghost in the Shell"), same as American movie ("Matrix"). Maybe many kids even cannot understand what the story says. Comparing Japanese Animation, the principle of American animation is "serving to kids". American animation does not have so many types of subjects, because American animation is limit to show the goodness, kindness and beauty of world. So most American animation’s subjects are very childish. Many of them are adapted from fair tales ("the Little Mermaid"). The others always tell the story about how the leading character fulfills himself ("Lion King", "The car"). By contrasting the subjects of Japanese and American animation, it’s easy to find to whom the two are oriented, adults and kids.

Let’s look at some specific examples. The first is "The Little Mermaid", Disney’s animation, which is adapted from Andersen’s famous fair tale with the same name. In Andersen’s version, the Little Mermaid cannot kill the Prince and dissolves into sea foam at the end. The tragic story moves a lot of people. But Disney doesn’t want children to leave the cinema crying, so the Little Mermaid defeats the Sea Witch with the Prince in the end. What a happy ending! I think Andersen’s story is destroyed. But you can see clearly to whom the American animations are oriented. The second example is the animation I’m catching, "Death Note", tells how a young man, Yagami Light, picks up a magic notebook, which can kill the person whose name is written on it, and becomes a murderer. Then an incognito detective, L, tries to catch Light. But in the end, Light finds out L’s real name and kills him! Evil defeats justice! Maybe it cannot be imagined in American animations, but in Japanese animations, it can. That’s because Japanese animations are oriented to adults, while American animations are oriented to children.

In conclusion, the most significant difference between American animations and Japanese animations is whom they are oriented to. Because Japanese animations are oriented to young men more than kids, they’re very suit for graduate students watching in daily life. American animations, on the other hand, by seeing them once in a while, can help you meet your childhood sometimes.

CCTV-6配音, 4:3画面的Knockin’ on Heaven’s Door

周日的时候CCTV不知抽什么疯,居然放着若干经典的爱国主义黑白片不播,播起Cowboy Bebop来了,而且还不是在CCTV少儿频道放。本来对央视的配音没什么信心,正好约了俞国公踢球,就没看。今天看到飒飒贴的种子——哈,谢了,就抓下来看了下~

没删节很赞美——幸好不是在少儿频道播的,看漫游论坛现场直播帖子一帮人喊“割衣美,割衣美”,-____-b——配得整体还算好的,就是平常看佳片有约里那些特熟悉的声音。唯一不能忍的就是我的ed啊!ed!ed!我的ed怎么能是这样阿姨装嫩的声音呢……T_T,不能自已的泪流不止……

DN的真人版

基本上月、L、海砂没有一个长相及格的,还是看动画片吧~

好玩的地方,L的本本是水果牌的,FBI的本本是IBM的,说明FBI就是一帮土人~ 没看清月笔记本的牌子,不过上面大概是Death Note的Logo,:-)

另外雷姆的声音也太诡异了,雷姆明显应该是个很母性的声音呀~ 奇怪奇怪~

说到死亡笔记

想起这个月动漫贩关于“小田健带刀”事件的评论,写得太搞了~

4种可能:

a. 他(小田健)在去捅大场东的路上被拦下。

b. 他已经捅了大场东,却忘了把刀扔掉。

c. 他已经捅死了大场东,却忘了把刀扔掉

d. 大场东在后备箱里!!!

呵呵,当时看的乐死了~

开始追这两个

10月新番,死亡笔记和完美小姐进化论~

另外少年阴阳师,ms有很多人要追,没看过漫画,不知道怎样,考虑看一下

还有就是银河铁道物语II,我好想看银河铁道999,谁能告诉我哪里有~

Conan M10 —— Conan元素大杂烩

编剧大概以为让哀扮扮cool,元太园子发发傻,小五郎丢下人,Kid飞来飞去,平次搞一搞剑道,小兰玩玩空手道,阿笠的道具露露脸,柯南踢踢球,毛利和英里暧昧一下,高木和佐藤约一下会,最后再你发现原来中间某个露面的角色其实是快斗假扮,惊讶一把,这就是一部好的柯南电影了~ 汗~

开头太突兀,刚打开播放器,还没进入状态,炸弹就要爆炸了~ 汗~ 我知道1小时53分已经很长了,长到没有时间去铺垫情节了~ 虽然中间看起来没什么无关紧要的情节可以删掉,但是上面说的那么多元素全被揉到这一部片子里,拼凑的痕迹就太明显了~

案子幼稚就不说了~ 最后平次倒是很坦白,这么个破案子,警察就能搞定,完全没必要叫这么多大牛搞这么大的场面~ (顺便说一句,我看推理的东西不多,但是这个名侦探在个城堡里会面神秘的委托人,再加上那个CRY以及犯罪计划书、运钞车劫案这些东东,总让我想起金田一少年事件薄里蜡像馆那个案子。当然这两个案子的复杂度没有可比性~ 完全不在一个数量级上~)

最后解密ID炸弹那个桥段,我猜编剧也许是想模仿M1。值得称赞的是不知是不是有意的整部片子没有强调新兰的羁绊。反倒是哀有一句,“那我们的性命就交给你了,名侦探阁下”。我是坚定的柯哀。至于最后那个密码~ 汗一下~ “最爱你的人是你自己”~ 前两天刚看过“如果爱”~

最后的最后,即M9一根手链经受了conan的体重之后,M10又一次违反了物理定律,Kid居然用滑翔机从高速运行的过山车上拿到东西~ 当然看柯南也不用抠这些细节,本来柯南变小就是不可能的吗~ 尽情把Kid的滑翔机想象成翅膀就行了~

最后的最后的最后,龙是装死~ 那两个侦探也没事~ 这安排什么意思没理解~

为个Conan写这么多废话,sigh,自己真无聊~ 反正个人以为从贝克街开始,剧场版是越来越没法看了——不知道这部Conan元素大杂烩,Conan的fans们会不会喜欢~ 前面几部自己每次还都是特意看的mvk或者avi,这次看了事务所体验版的rmvb,估计不会再去看一遍清晰版了~

ps:写完了,又想起一个问题,最后在餐厅里炸弹要爆炸的时候,为啥园子还留在那里?园子的命不值钱呀~ 欺负我们园子,从此做园子的fans了~

ps2:好久不看Conan了,工藤的声优是不是变了?听着好沧桑~

ps3:ms人物画得有点变形?尤其目暮~ 不过还是这句话,我好久不看Conan了~