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满城尽带黄金雷

首先应该明确的是:虽然鲁贵是个大夫,但是身负武功;虽然鲁大海是繁漪生的周朴园养的,但是因为戍边多年深入工人阶级,保持了工人阶级的纯朴性;因为周冲和四凤年纪差距太大,实在不能姐弟恋,所以他只好喜欢钱权了……

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周冲说,我早知道你和我妈的丑事了!然后他就把周萍捅死了……

鲁四凤,啊!!!然后她就被黑的人砍死了……

鲁侍萍说,四凤!然后她也被黑的人砍死了……

周冲说,姓周的,你tm把家产传给我!然后他就被周朴园活活虐死……

周朴园说,大海,家产我可以给你,但是你不能抢~

鲁大海说,繁漪我对不起你!然后他就自杀了,繁漪就疯了……

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总体还行~  加上这么热炒,还是值得一看的片子~

PS:我知道张艺谋是搞摄像出身的……不过这满屏幕的金色饱和度也太高了,晃得我眼都花了……

PS2:F+∞……

Two Styles of Animation

I made quite an effort to explain the difference between Japanese and American animation in my english class essay. Maybe it’s worth blogging it.

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There are two popular styles of animation in the world, American style (Hollywood style) and Japanese style. I’ve watched a lot of American animation, and many of them made me love them, such as "Toy Story", "Monsters Inc" and "The Lion King 3: Hakuna Matata". And Japanese animation is a part of my daily life. I’m catching three Japanese TV-series animations, "Death Note", "D-Grey Man" and "Yamanade", every week. Although the two styles are both popular, they are very different in many places. We will study the differences by first comparing Japanese animation with American adult movies and then contrasting American and Japanese animations to show that the most significant difference is whom the animations are oriented to, kids or adults.

We can find the difference by comparing the subjects of Japanese and American animation. Japanese animation is oriented to adults. This make Japanese animation try to show audience an actual world. So Japanese animation, which is almost same as American movie, has a wide range of subjects. The range is wider than American animation’s subjects’. There is also a part of Japanese animation’s subjects are oriented to kids. But most of them are not only for kids, and some of them are not for kids, just same as American movie’s. For instance, there is a category of stories, which are called love comedy, such as "Honey and Clover" (Japanese animation) and "When Harry meet Sally" (American movie). I think this category of stories is not oriented to kids. And there are a lot of crime and detective stories in Japanese animation ("Death Note", "Perfect Blue"), just like American movie. And some of them have too many crime scenes to be suit for kids (Brad Pitt’s "Se7en"). There are also a lot of hard-science-fiction style stories in Japanese animation ("Ghost in the Shell"), same as American movie ("Matrix"). Maybe many kids even cannot understand what the story says. Comparing Japanese Animation, the principle of American animation is "serving to kids". American animation does not have so many types of subjects, because American animation is limit to show the goodness, kindness and beauty of world. So most American animation’s subjects are very childish. Many of them are adapted from fair tales ("the Little Mermaid"). The others always tell the story about how the leading character fulfills himself ("Lion King", "The car"). By contrasting the subjects of Japanese and American animation, it’s easy to find to whom the two are oriented, adults and kids.

Let’s look at some specific examples. The first is "The Little Mermaid", Disney’s animation, which is adapted from Andersen’s famous fair tale with the same name. In Andersen’s version, the Little Mermaid cannot kill the Prince and dissolves into sea foam at the end. The tragic story moves a lot of people. But Disney doesn’t want children to leave the cinema crying, so the Little Mermaid defeats the Sea Witch with the Prince in the end. What a happy ending! I think Andersen’s story is destroyed. But you can see clearly to whom the American animations are oriented. The second example is the animation I’m catching, "Death Note", tells how a young man, Yagami Light, picks up a magic notebook, which can kill the person whose name is written on it, and becomes a murderer. Then an incognito detective, L, tries to catch Light. But in the end, Light finds out L’s real name and kills him! Evil defeats justice! Maybe it cannot be imagined in American animations, but in Japanese animations, it can. That’s because Japanese animations are oriented to adults, while American animations are oriented to children.

In conclusion, the most significant difference between American animations and Japanese animations is whom they are oriented to. Because Japanese animations are oriented to young men more than kids, they’re very suit for graduate students watching in daily life. American animations, on the other hand, by seeing them once in a while, can help you meet your childhood sometimes.

黄迈可

Michael,信乐团那个鼓手,MV里总带个贝雷,演唱会上露粉红色T-back的疑似黑人。原来他是团长……身高有190……据说还代表台湾地区参加过空手道比赛拿过世界亚军(大概是水货比赛)……

一次更新好多的说

懒是怎么地~ blog欠账不想更新的样子~

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村上、片山或是林 – 11.29

去图书馆借书,偶然注意到《世界在你不知道的地方运转》这本书的封脊,蓝白的底色、银色的书名在一排色调暗淡的书里很是醒目。片山恭一著,林少华译。自己并不是对林少华很感冒,《在世界中心呼唤爱》没有看过,村上春树的书也只是读过《挪威的森林》、《电视人》外加《世界尽头和冷漠仙境》一个开头的样子。不过还是借了这本书,大概是因为这些名字所包含的小资的隐喻。

读完的感觉,真的和《挪威的森林》好像。所以有了村上春树、片山恭一还是林少华的疑问。虽然情节的确有些相似,恋爱和做爱,因为爱情而陷入混乱的状态,而最后以突兀的死亡终结,留下存活者的彷徨。但是那文字,在日常生活的描写里竟然流出如此如出一辙地哀伤。这很让我怀疑林在翻译的文字里流露了自己。

本来想各引一段文字,可是没把借的书带回家,网络上又找不到电子版,只好作罢了。

p.s. 那天看这书的时候,有人跟我说这么一句“日本人写的文字不美,村上春树除外”……当时想起周星星的台词“其实我是一个‘小资’”~ 拜托,冒充小资也应该有点专业精神吧。以后再有人说这种话,就跟他说“省省吧你!改变什么形象,好好地做你农民这份很有前途的职业去吧!”。

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社戏 – 11.30

毫无征兆地被拉去听了一场昆曲,囧rz… 一片桃花红~ 实在看不懂,再次囧~ 期间一直在想《通灵》下面的故事(还有人记得这个嘛,囧……)。后来发现鲁迅的文章写得真好。

“我不喝水,支撑着仍然看,也说不出见了些什么,只觉得戏子的脸都渐渐的有些稀奇了,那五官渐不明显,似乎融成一片的再没有什么高低。年纪小的几个多打呵欠了,大的也各管自己谈话。忽而一个红衫的小丑被绑在台柱子上,给一个花白胡子的用马鞭打起来了,大家才又振作精神的笑着看。在这一夜里,我以为这实在要算是最好的一折。然而老旦终于出台了。老旦本来是我所最怕的东西,尤其是怕他坐下了唱。这时候,看见大家也都很扫兴,才知道他们的意见是和我一致的……”

期间各个角唱的时候,看大家昏昏欲睡,待到钟妩妍和赵兵乒乒乓乓起来,便立马来了精神,叫好声此起彼伏,4th 囧~

p.s. 谢幕献花的时候,8名主要演员一字排开,同时走上来八个手捧鲜花的司仪。奇怪的是前面6个穿着统一的制服,步伐整齐,最后两个裹着羽绒服就上了……心想这演出组织也太不敬业了,都不知道有几演员,现抓人垫场。然后更有意思的是,前面6个人依次对位献花,而最后两个人直接冲到中间把花给了中间的女一钟妩妍,囧——参考侯宝林先生的“失空斩”,“一边一个,一边仨”,于是我们那位可怜的很累的一直在翻跟头的赢得很多彩头的演白猿的同学就空手而归了……囧,一直在囧~

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关于莉莉周和郭敬明的一切 – 12.02

市面上翻译的第三部岩井俊二的小说(情书、燕尾蝶)——这家伙号称都是先写小说而后改编成剧本再拍成电影偶尔还自己配乐,五体投大地,Orz——这两天douban上已经骂翻了,原因就是书的封皮上用比岩井大神的名字还大的字体赫然印着“策划&主编 郭敬明”。于是便有了“郭JM,你是抄袭品的商标”之类的评论。当时觉得GJM同学虽然一向品行不端,不过我总觉得这件事大抵是出版社炒作之类,GJM同学可能也是傀儡一名。诸位以太控、莉莉控、岩井控大可不必理会这种无聊的事宜,实在不爽可以撕掉封皮(原封面设计者也已经出面说明了设计遭篡改的事实)。

以下是后续~

今天回家路过报摊买《24格》,发现报纸堆上竟摆着一本没开封的《关于莉莉周的一切》,暗想我家周围的报摊居然这么文艺了,于是随口问了一句价钱。卖报小姑娘回答了一句,然后又从角落变出一本书摊到我面前,俨然是GJM同学的《夏至未至》,然后小姑娘说,“恩,还有这个都是郭敬明的……”-____-|||

GJM同学你不是真想做残酷青春的代言人吧……即使是在卖报小姑娘阶层,ms你也是不配的……所以请不要侮辱以太,谢谢~

男人四十

其实我还是蛮经常看佳片有约的~

-最近怎么样?
-我的店就要开了
-搞定你老爸了?
-小意思

-我下礼拜要去印度进货
-不是去日本进货吗?
-呵,太贵了,而且现在流行印度货。这种事你不懂
-当然了

-我可能还要去一趟尼泊尔
-很辛苦
-怕什么~ 开张的时候我再打电话给你